Screenwriter and director Ruchi Narain struggled for decades to find steady work in the Indian film industry.
Even with two major, critically acclaimed films under her belt — “Kal: Yesterday and Tomorrow,” a thriller she wrote and directed, and “Hazaaron Khwaishein Aisi,” a political drama that won Bollywood’s equivalent of an Academy Award — the work just wouldn’t come.
“I struggled a lot because I am an outsider and a woman,” Narain told CNN Business. “I was meeting people every week but it all went nowhere.” That changed when Netflix (NFLX) arrived in India in 2016.
Since then, the Mumbai-based filmmaker says she has “been inundated with work.” Her film “Guilty” — a social issues drama about a rape investigation — was released by the streaming giant in 2020. In the same year, Disney+ Hotstar released her 8-part comedy series “Hundred.”
Now, increasing government scrutiny of these more provocative projects and other groundbreaking stories is worrying Narain and many other creators in Mumbai, the home of India’s film industry.
Original shows on Amazon Prime and Netflix have lately drawn ire from Indian politicians and regular citizens who consider these films and TV shows insensitive to cultural and religious beliefs.
Police complaints have also piled up against creators and company executives, and some of the offenses they have been accused of — including committing “deliberate or malicious acts, intended to outrage religious feelings” — carry prison terms of up to three years, a fine, or both. And, in recent months, Prime Minister Narendra Modi’s government has announced new rules and guidelines for streaming services, though no explicit bans on particular themes.
India’s creative community now fears that streaming services may buckle under the pressure, and refrain from touching stories that are even remotely controversial. It’s a troubling sign for an industry that had just begun experimenting with new forms of storytelling and producing shows capable of worldwide appeal. Just last year, Delhi Crime, a Netflix drama series based on the real rape and murder of a 23-year-old student in India’s capital, won an international Emmy.
The arrival of Amazon (AMZN) and Netflix in India has been a boon to directors and writers like Narain, who had long languished on the fringes of Bollywood — an industry often accused of nepotism. Several filmmakers told CNN Business they thought the international streaming services introduced a degree of professionalism.
“I co-directed a film called ‘House Arrest,’ which was released on Netflix in 2019, and everyone on set was thrilled just because they were getting paid on time,” said Samit Basu, novelist and filmmaker. He added that the culture changed to one where rigorous research and development were commonplace.
“A lot of book rights were auctioned and writers’ rooms started happening,” Basu added. “Earlier, people in the film industry hardly ever read books.”
More importantly, these companies made it possible for storytellers to explore subjects that had previously been untouched.
Bollywood films are hamstrung by the Central Board of Film Certification, which forces filmmakers to remove everything from kisses and swear words to shots of drug abuse — once even from a film about drug abuse. Indian TV, which is also regulated by the government, is dominated by often regressive stories about housewives and mothers-in-law.
Streaming content broke that mold because it was, until recently, unregulated by the government. “Sacred Games,” Netflix’s first original series in the country, shocked Indian viewers by casting well-known actors in a show that liberally made use of abusive language, violence and nudity. The program was compared to “Narcos,” Netflix’s hit American drama about Colombian cocaine kingpin Pablo Escobar.
Amazon’s first series in the country, meanwhile, was “Inside Edge” — a show about the dark underbelly of cricket, a sport that is worshipped in India. Both “Inside Edge and “Sacred Games” were nominated for International Emmy awards.
Several other shows on the platforms have also taken an unflinching look at subjects ranging from politics to female sexuality, which Bollywood and Indian TV have typically shied away from. “I am glad I did my film for Netflix because they did not dilute anything,” said Narain, referring to her project “Guilty.”
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https://myanimelist.net/blog.php?eid=847696
https://jonnac4t.cookpad-blog.jp/articles/583514
http://www.shadowville.com/board/general-discussions/netflix-and-amazon-gave-daring-indian-filmmakers-hope-now-thats-turning-t#p472000
https://www.guest-articles.com/entertainment/netflix-and-amazon-gave-daring-indian-filmmakers-hope-now-thats-turning-to-fear-28-03-2021