Wow!!!!! After an absolutely hectic 48 hours of development and a super fun month of playing other people's amazing games, it looks like Follow My Voice ended up finishing in 1st for Audio and 5th for innovation! SWEET CRIMSON THAT'S INCREDIBLE!!!!!! Making an entirely audio-based game with no visuals was definitely an interesting challenge, and I had loads of fun trying to figure out how to make the game actually playable without feeling insanely difficult or unfair.

By far the biggest challenge in this game was figuring out how to let players orient themselves in 3D space without being able to see. Normally if you're walking around with your eyes closed, you can feel around in the dark with your hands to find obstacles or tilt your head to hear sounds coming from different directions. However, if you're blind in a video game, you don't have access to all the extra senses you would have in real life (like balance or proprioception) so navigating in a game without visuals is significantly more difficult.

In order to work with this fundamental lack of information, I made few design decisions that restricted the way level design and player movement worked:

1: The Level is Completely Flat

One thing I noticed very quickly is that when you're wearing headphones, it's almost impossible to tell if a sound is coming from above or below you. In real life, if you wanted to figure that out you could tilt your head from side to side, but without using a VR headset or some extremely wacky controls that's not possible to simulate. I made the level flat to take away that ambiguity.

2: The Player Can only Look Left/Right

Have you ever been playing a dark first-person game (not an edgy game, just a game where there's not a lot of light) and gotten stuck because it was too dark for you to realize that you had been staring at the floor the whole time? Take that problem and multiply it by a thousand and you get Follow My Voice. This is another situation where in real life you could use your other senses (in this case balance) to figure out whether you were standing upright, but you can't bring that sense into a game (especially an entirely audio-based game) without some extremely wonky controls. Once again I solved this problem by just getting rid of it; if the player can only look left and right, then they can't get stuck looking at the floor.

3: Beacons! Beacons! Beacons!

Giving the player a way to figure out what direction they're facing is probably the most important problem to solve in a game like this. If the player doesn't know which way they're facing, they can't get their bearings and the level will devolve into a nightmare of running in circles and crashing into walls (or at least, more of a nightmare of running into circles and crashing into walls than it is right now). My solution for this was making sure to always have at least one sound playing at a stationary location at all times. The ghost's constant whispering doesn't just serve as a goal for you to move towards; it also serves as a beacon to remind you which way is forward.

4: EVERYTHING MUST MAKE A SOUND

Okay this one seems kind of obvious, but if sound is the only information you're giving to your players then you better make sure that absolutely EVERYTHING in the level provides auditory feedback in some way. Here's a quick list of some of the most interesting sounds I added to help players navigate: - There are three different surfaces that players can walk on in each level (water, rocks, and crunchy), and each one makes a different footstep sound. Placing these different surfaces strategically gives players more landmarks (oh ok I crossed water again, I must be going backwards) and helps separate out the different areas of the level - When you're walking into a wall, you'll hear a grinding sound coming from the direction the wall is in. This both lets you know that a wall is there (otherwise it would just seem like the player stopped walking for no reason) and also helps you keep track of where the wall is relative to you so you can more easily follow it or turn away - I don't want to get too deep into how I calculated footsteps in this game, but basically I did everything I could to make sure that the player had what felt like a consistent stride length so that you could use footsteps to gauge distance with decent accuracy

Oh and if you're wondering, the games does actually have visuals to make development easier, I just have the camera turned off in-game so you can't see them. My roommate (creator of the hilariously flip-floppy eel physics game Deep Undercover) and I joked afterwards that the levels looked like clown cars when you turned on the lights because of my color-coding:

Also, the helpful ghost who guides you through the level? He looks like this:

I don't want to post the full level layout here cause that would spoil the fun of bumbling around in the dark, but if you're interested in checking this game out grab a pair of headphones and prepare to travel deeper and deeper (roll credits) into the darkness!

Also I just want to leave a shout-out here to all of the people who took the time to leave comments on this game, I do want to try developing this into a full title someday (Twitter, Tumblr, Instagram if you want to keep tabs) and your feedback has been super helpful (especially the stuff about the rocks)!

Thanks again and happy developing!!!!!!!!!!